The plugin model developed by Softube ranks among the most authentic circuit-modelled hardware emulations we’ve ever heard. And it’s why many premier league producers and engineers claim it’s the single piece of outboard they couldn’t live without. But that, in many ways, is its understated beauty, as well as its winning character trait. It’s easy to fall into the trap of thinking the CL-1B isn’t doing much – even when pushed hard. Overall, this is a truly contemporary compressor, with a unique sound which bears comparison to the vintage classics. (I'm usually tracking at a ratio between. Half a db threshold change gives me like 3-4 EXTRA gain reduction. UG is a Compressor Plugin Bundle (Download) with a Comprises CL 1B Mk II and CL 1B Legacy, Carefully optimised.
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The Tube-Tech CL1B MKII has these weird spikes where the needle on the VU meter in compression setting just spikes to the far left even. Silky Smooth - the Tube-Tech CL1B Published on 092014 at 1713 The Softube Tube-Tech CL1B is a plugin emulation of the original hardware unit by the same name. UAD is usually really on point, but the needle on this plugin seems to be really erratic. It is also available for the UAD and TDM platforms. I love the hardware CL1B and the warmth it offers. Mainly to track vocals with in the console. Even very slight tweaks can make a big difference to results. Finally grabbed their version of the CL1B recently. Above all it’s a box that demands and rewards both experimentation and time investment. It is controlled by the sidechain amplifier, which also contain the two time control circuits one for fixed and one for variable Attack/Release. The unit features a gain-reduction element, positioned immediately after the input transformer. That’s not to say you can’t get results with slightly more grit: extreme settings can deliver some very tasty valve saturation. The TUBE-TECH CL 1B Compressor is an optical, all tube based compressor. The sheen it imparts, though subtle, errs on the side of ‘poppy’, and you’ll find many users among hip-hop and urban/pop crossover producers The ratio control is unique in that it can be continuous or used as fixed ratios. It has some additional controls including mix blend (wet/dry), side chain, low and high cuts, and lookahead of up to 1ms for even faster attack times.
#Uad cl1b vs softube cl1b series
For that reason it is one of the favourite go-to compressors for vocals (often in series with an 1176 or LA-2A). Softube took the original 1176 circuit and added their own twist with their FET Compressor. The caveat: the CL-1B is not noted as a character piece it does warmth and it does smooth, and it does both transparently: you can dial in a lot of compression with barely any noticeable artefacts. Since that day more than 16,000 of the single-channel units have left the company’s Denmark headquarters for studios all over the world, where it has found a legion of fans who use it to treat (and track) everything from vocals and bass, to guitars and keys. Petersen unveiled the CL-1B compressor, his take on the classic optical compression method pioneered by the Teletronix LA-2A – but with an additional level of control (unlike the LA-2A, the CL1B’s ratio, threshold, attack and release settings can all be changed manually). Slow attack with fast release sounds most like a “vintage” optical to me.Start with the Parallel Compression on dry and slowly move it up until you hear the compression take hold. Really crank up the compression, 10 and more on the reduction. You can do this using any parallel compression technique, but it works especially well on the CL 1B.On vocals it can really do a lot of gain reduction without sounding unnatural. This is a great choice for tracking, you can smooth things out just a little without really changing the performance. Plus, the minimal harmonics add no coloration. (You know, it adds warmth.) The second reason is that at the 2:1 ratio in particular it really has an extremely smooth compression curve. The Tube-Tech CL 1B works really well on the 2-Bus, one reason being it tones down all the high-end (which seems to build up with digital sources) even before it starts compressing.
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Can anyone say “adds warmth”? (Yes, “warmth” = less high end.)Īnyway. I am fascinated that a whole alt-vocabulary has developed around describing what sound sounds like, or even better, marketing what sound sounds like. And it’s a compressor, so I guess it’s smooth. Well, it works on music, so I guess it’s musical. Tube-Tech says their optical compressor is smooth and musical.